DESCRIPTION:

The book opens with Joseph Banks, botanist on Captain Cook's first Endeavour voyage, stepping onto a Tahitian beach in 1769, hoping to discover Paradise. Many other voyages of discovery swiftly follow, while Banks, now President of the Royal Society in London, becomes our narrative guide to what truly emerges as an Age of Wonder. Banks introduces us to the two scientific figures that dominate the book: astronomer William Herschel and chemist Humphry Davy.

Herschel's tireless dedication to the stars, assisted (and perhaps rivalled) by his comet-finding sister Caroline, changed forever the public conception of the solar system, the Milky Way galaxy and the meaning of the universe itself. Davy first shocked the scientific community with his near-suicidal gas experiments in Bristol, then went on to save thousands of lives with his Safety Lamp and established British chemistry as the leading professional science in Europe. But at the cost, perhaps, of his own heart.

EXCERPT:

Are You saying we should never make promises—that we should never promise anything to anyone?

As most of you are now living your life, there is a lie built into every promise. The lie is that you can know now how you will feel about a thing, and what you will want to do about that thing, on any given tomorrow. You cannot know this if you are living your life as a reactive being—which most of you are. Only if you are living life as a creative being can your promise not contain a lie.

Creative beings can know how they are going to feel about a thing at any time in the future, because creative beings create their feelings, rather than experiencing them. Until you can create your future, you can not predict your future. Until you can predict your future, you cannot promise anything truthfully about it. Yet even one who both creates and predicts her future has the authority and the right to change. Change is a fundamental right of all creatures. Indeed, it is more than a "right," for a "right" is that which is given. "Change" is that which Is.

DESCRIPTION:

This is the exciting and highly literate story of the real Lawrence of Arabia, as written by Lawrence himself, who helped unify Arab factions against the occupying Turkish army, circa World War I.

Lawrence has a novelist's eye for detail, a poet's command of the language, an adventurer's heart, a soldier's great story, and his memory and intellect are at least as good as all those. Lawrence describes the famous guerrilla raids, and train bombings you know from the movie, but also tells of the Arab people and politics with great penetration. Moreover, he is witty, always aware of the ethical tightrope that the English walked in the Middle East and always willing to include himself in his own withering insight.

DESCRIPTION:

In a country where the average woman is 5-foot-4 and weighs 140 pounds, movies, advertisements, and MTV saturate our lives with unrealistic images of beauty. The tall, nearly emaciated mannequins that push the latest miracle cosmetic make even the most confident woman question her appearance. Feminist Naomi Wolf argues that women's insecurities are heightened by these images, then exploited by the diet, cosmetic, and plastic surgery industries.

Every day new products are introduced to "correct" inherently female "flaws," drawing women into an obsessive and hopeless cycle built around the attempt to reach an impossible standard of beauty. Wolf rejects the standard and embraces the naturally distinct beauty of all women.