Taking into consideration that The Karate Kid (2010) is a remake of the original 80s' hit of the same title, which provoked an increased interest in all things related to martial arts and oriental philosophies in that and the following young generations, an analysis of the script is rather useless.

We shall focus then in whether, as a remake, this film has achieved to, at least, successfully meet the expectations of the thousands of the original's fans.

Our humble opinion is that, not only it does meet them, but it also manages to trap you into its world in a way in which, almost at minute one, you have stopped trying to make comparisons.

It is true that there are some initial ackward moments, in which the memory of the beloved character of Mr. Kesuke Miyagi, played by Pat Morita, hovers over the Mr. Han played by Jackie Chan, but this is soon surpassed by the fact that Chan gives a good interpretation of the pain-drenched but cold, irresponsive character.

Chan never fails to entertain and this time he also surprises with an acting ability beyond easy comedy and martial arts displays.

A young Jaden Smith proves that his father's discipline and charm are qualities very much ingrained in him too. Being only 12, this rutilant star already proved his acting skills alongside Keanu Reeves in "The Day the Earth Stood Still" and next to his father, Will Smith, in his cinematic debut "The Pursuit of Happiness".

In an industry in which the artificial CGI populates almost a 60 percent of every new movie out, it is refreshing to see how these actors prepare themselves so hard to deliver their interpretation, putting their physical limits to the test.

The script has been adapted so it makes perfect sense in today's current globalization, in which an industrially and economically thriving China receives workers from the US and European countries, where its companies have branches and delegations, that Dre's mother (played by Taraji P. Henson) is transferred to this country by her company.

Throughout the movie there are a few references to Chinese politics and societal norms, as in an attempt to tumble down pre-conceptions.

There are also very comical scenes, which, undoubtedly, mock some iconic moments from the 80s' original (case of the fly-catching).

Four stars go to the breathtaking scenery and intelligent, subtle photography, in which the skilled use of light, shadows and ambience accompany superbly the most memorable moments of the film.

Do not hesitate to watch this movie at your local theatre.